Paris
Through the Looking Glass
I firmly believe that
the photographer should ADD something to the image, I mean the
naked-eye-right-what's-in front-of-you image, and not just take
a literal point-and-shoot mess. Creative photographers, that is.
Otherwise, what is the point of having a nice camera, or even a
not-nice one, if you don't try and do something original with
it?
Photography used to be criticised or poo-pooed by real 'artists'
as a sort of second class creative citizen, but now I think the
tables have been turned and it is the painters who are running
scared! In any case, for goodness' sake, don't be satisfied with
what you see first when a scene strikes you as interesting. Stop
and think about how you could make it more interesting and add
your personal stamp to your work! You'll be glad you did.
Reflections are one of the street photographer's most powerful
allies. You can find them often enough, and if you're lucky you
can produce some arresting and unexpected images.
This shot was taken on my Latin Quarter Photo Tour, quite early
on a Sunday morning (hey, anything before 11 a.m is early on a
Sunday, isn't it?) with one of my 'tourees' acting as the
passing interest (the girl walking by)!
Hey, you can even see me in the pic if you look closely enough!
But the shot wasn't a self-portrait as such so it didn't make
into that section on the Paris Set Me Free site.
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